|
|
|
|||
|
Study, work or travel in the UK. British
culture and life.
|
||||
![]() |
||||
|
|
|
|
||
![]() |
||||
|
Ideas
/ Competitions
|
||||
|
Try to win a prize in a UK competition
|
||||
|
June Competition: win tickets for BFI Japanese
film festival
|
![]() |
Competition
organiser:
ukstudentlife.com in association with BFI Southbank |
![]() |
|
| Prize: | There are 2 prizes: each prize is a pair of tickets to see a film of your choice (subject to availability) at the BFI Japanese film festival: "Japanese Gems" in London. | ||
| Japanese
Gems information: |
The
BFI (British Film Institute) are honouring the memory of the great Japanese
film ambassador Madame Kawakita with a season of work from eight award-winning
Japanese directors including Akira Kurosawa, Nagisa Oshima and Seijun
Suzuki. The season will run from 3-31 July 2008. The films which are
being shown are listed in the table below. Films are being shown at
the BFI Southbank, which is next to the National Theatre in London (the
nearest Tube is Waterloo; for details of how to get there: click
here). The West's discovery of Japanese cinema is usually dated from 1951, the year when Kurosawa's Rashomon won its Golden Lion in Venice. Actually, the story began much earlier: in 1928, a young man named Nagamasa Kawakita brought a fine selection of Japanese movies to Europe. He then went on to concentrate on importing the best of European cinema into Japan, while his remarkable wife, Kashiko, founded a philanthropic organisation to bridge the culture gap between Japan and the West. Madame Kawakita sadly died in 1993, but the Kawakita Memorial Film Institute lives on as a valuable resource. The directors represented in this treasure-chest of a programme lived through Japan's post-war economic and social upheavals and played a big part in transforming its culture. Often they responded directly to what they saw in the streets or read in their newspapers: all of them made brilliant social commentaries which we will screen throughout July. Yoji Yamada focused on the convivial aspects of working-class life that were in danger of disappearing, these can be seen in films such as A Wedding (Kazoku, 1970) and Tora-sans Sunrise and Sunset (Otoko-wa Tsurai-yo: Torajiro Yuyake Koyake, 1976). Shohei Imamura made Black Rain (Kuroi Ame, 1989) set five years after the Hiroshima bomb; and Nagisa Oshima used the story of a real-life sex murderer as a template for Violence at Noon (Hakucha no Torima, 1965). Sumiko Haneda showed the miraculous survival of old traditions with films such as Akiko: Portrait of a Dancer (Akiko: Aru Dancer no Shozo, 1985) while Kaneto Shindo highlighted the continuing hardships of some peasant lives in the compelling Oniba (1964), part fable, part allegory and part horror film. Many of these directors also took fresh looks at Japan's history; Oshima's The Ceremony provactively re-reads the postwar decades across the story of one family. Kurosawa and Shindo offered equally challenging takes on feudal Japan. And Seijun Suzuki led the way in shaking up the yakuza and thriller genres. These 24 films add up to a panorama of a unique culture re-thinking its past and analysing its present. A fitting tribute to the memory of Kashiko Kawakita: the first lady of Japanese film. |
||
| How to enter: | To
enter this competition answer this question: How many different Japanese directors have films in the "Japanese Gems" film festival? a) 5 b) 8 c) 24 [hint: see the film schedule below] Send the answer (a, b or c) and your name, address and phone number and the date, time and film name you would like to see in an e-mail: click here (the title of the message must be "UK-Japanese Gems competition", and it should be sent to mark@ukstudentlife.com) |
||
| Who can enter? | To enter this competition you must be aged 16 or over and able to see your chosen Japanese film in London. | ||
| Closing date: | The closing date for entries is midnight on Monday 30th June 2008 | ||
| Other notes: | Your contact details will only be used to let you know the result of this competition - they will not be used for any other purpose. Each person may only enter this competition once. | ||
| Website links: | To
buy tickets to see films at this festival and for more details from
the BFI website: click
here To book, select the tab All films, click on the Book button next to the performance you want to see, click on the seat you want and choose the price which applies to you (the standard adult price is £8.60 per ticket, and the price for students or other concessions is £6.25). Click on Go. Repeat for each seat, then click on Checkout and enter payment details. |
||
![]() |
|
Akiko:
Portrait of a Dancer (1985, Director: Sumiko Haneda): Akiko
aru dansa no shozo
Sat 19 Jul 13:40 NFT2 ; Thu 24 Jul 20:40 NFT2 Celebrated documentary centred on modern dancer Akiko Kanda. |
|
Black
Rain (1989, Director: Shohei Imamura): Kuroi
ame
Tue 8 Jul 20:30 NFT2 ; Wed 9 Jul 17:40 NFT1 Powerful Masuji Ibuse adaptation, exploring the aftermath of Hiroshima. |
|
Boy
(1969, Director: Nagisa Oshima): Shonen
Sat 12 Jul 18:30 NFT1 ; Wed 16 Jul 20:45 NFT2 Intensely moving meditation on the truth of appearances. |
|
Branded
To Kill (1967, Director: Seijun Suzuki): Koroshi
no rakuin
Thu 10 Jul 18:10 NFT2 ; Sat 12 Jul 20:40 NFT2 Seijun Suzuki's weird and wonderful absurdist masterpiece. |
|
The
Ceremony (1971, Director: Nagisa Oshima): Gishiki
Sun 27 Jul 18:15 NFT2 ; Mon 28 Jul 20:40 NFT1 Blazing polemic comprising powerful dynastic drama and sadness. |
|
Conflagration
(1958, Director: Kon Ichikawa): Enjo
Fri 11 Jul 20:40 NFT2 ; Tue 15 Jul 20:40 NFT2 A tortured young priest is driven to shocking, destructive acts. |
|
A
Full-up Train (1957, Director: Kon Ichikawa): Manin
densha
Tue 8 Jul 18:20 NFT2 ; Mon 14 Jul 20:40 NFT2 Kon Ichikawa's brilliant social satire. |
|
Her
Brother (1960, Director: Kon Ichikawa): Ototo
Thu 17 Jul 18:20 NFT2 ; Sat 19 Jul 20:40 NFT2 Kon Ichikawa's highly emotive family saga. |
|
Ikiru
(1952, Director: Akira Kurosawa): Ikiru
18 - 31 July Fri 18 Jul 14:10 NFT3, 17:40 NFT1, 20:20 NFT1 Sat 19 Jul 14:50 NFT1, 17:40 NFT1, 20:20 NFT1 Sun 20 Jul 14:30 NFT3, 17:30 NFT3, 20:15 NFT3 Mon 21 Jul 17:40 NFT3, 20:20 NFT3 Tue 22 Jul 14:10 NFT3, 17:40 NFT3, 20:20 NFT3 Wed 23 Jul 14:10 NFT3, 17:40 NFT3, 20:20 NFT3 Thu 24 Jul 14:10 NFT3, 17:40 NFT3, 20:20 NFT3 Fri 25 Jul 14:10 NFT3, 17:40 NFT3, 20:20 NFT3 Sat 26 Jul 14:40 NFT3, 17:40 NFT3, 20:20 NFT3 Sun 27 Jul 14:40 NFT3, 17:40 NFT3, 20:20 NFT3 Mon 28 Jul 17:40 NFT3, 20:30 NFT3 Tue 29 Jul 17:40 NFT1, 20:20 NFT1 Wed 30 Jul 17:40 NFT3, 20:20 NFT3 Thu 31 Jul 17:40 NFT3, 20:20 NFT3 One of Kurosawa's greatest achievements: A landmark of humanist cinema. |
|
Intentions
of Murder (1964, Director: Shohei Imamura): Akai
satsui
Sun 20 Jul 14:40 NFT2 ; Wed 23 Jul 20:10 NFT2 Precise, sardonic social observation with a sting in the tail. |
|
Into
the Picture Scroll: Tale of Yamanaka Tokiwa (2005, Director: Sumiko
Haneda)
Mon 21 Jul 18:00 NFT2 ; Tue 29 Jul 18:20 NFT3 Extraordinary exploration of a famous narrative picture scroll. |
|
A
Last Note (1995, Director: Kaneto Shindo): Gogo
no Yuigon-jo
Mon 14 Jul 18:20 NFT2 ; Fri 18 Jul 20:40 NFT2 Elegiac and perversely jaunty film about settling accounts. |
|
The
Naked Island (1960, Director: Kaneto Shindo): Hadaka
no shima
Fri 18 Jul 18:20 NFT2 ; Sun 20 Jul 18:10 NFT2 A modern classic exploring mankind's struggle against nature. |
|
Ode
to Mount Hayachine (1982, Director: Sumiko Haneda): Hayachine
no fu
Sat 26 Jul 14:10 NFT2 ; Sun 27 Jul 14:20 NFT2 Epic documentary exploring ancient rituals and changing times. |
|
Onibaba
(1964, Director: Kaneto Shindo): Onibaba
Fri 25 Jul 20:50 NFT1 ; Thu 31 Jul 18:15 NFT1 Part fable, part allegory and part truly scary horror movie... |
|
Rashomon
(1950, Director: Akira Kurosawa): Rashomon
Tue 15 Jul 17:40 NFT1 ; Sat 26 Jul 20:45 NFT1 Kurosawa's masterpiece, with a Golden Lion and an Oscar to its name. |
|
Stray
Dog (1949, Director: Akira Kurosawa): Nora
inu
Fri 25 Jul 18:15 NFT1 ; Sun 27 Jul 20:30 NFT1 Kurosawa's classic, sweaty post-war thriller. |
|
Tokyo
Drifter (1966, Director: Seijun Suzuki): Tokyo
nagaremono
Mon 7 Jul 18:10 NFT2 ; Wed 9 Jul 20:40 NFT2 A pop-art classic of aestheticised violence, visual gags and mind-warping colour effects. |
|
Tora-san's
Sunrise and Sunset (1976, Director: Yoji Yamada): Otoko
wa tsurai yo: Torajiro yuuyake koyake
Thu 3 Jul 20:30 NFT3 ; Sun 6 Jul 15:50 NFT2 Seventeenth in the series that remains an axiom of the Japanese cinema. |
|
Vengeance
is Mine (1979, Director: Shohei Imamura): Fukushu
suruwa wareniari
Sun 20 Jul 20:20 NFT1 ; Tue 29 Jul 20:15 NFT2 Shohei Imamura's captivating serial-killer movie. |
|
Violence
at Noon (1965, Director: Nagisa Oshima): Hakuchu
no torima
Sat 19 Jul 15:50 NFT2 ; Tue 22 Jul 20:45 NFT2 A poignant, splintered docu-drama. |
|
A
Wedding (1970, Director: Yoji Yamada): Kazoku
Sat 5 Jul 20:45 NFT1 ; Sun 13 Jul 20:45 NFT1 Lyrical, emotional film about a family starting afresh. |
|
The
Yellow Handkerchief (1977, Director: Yoji Yamada): Shiawase
no kiiroi hankachi
Fri 4 Jul 18:20 NFT2 ; Mon 7 Jul 20:40 NFT2 Multi-prize-winning heart-warmer from Yoji Yamada. |
|
Zigeunerweisen
(1980, Director: Seijun Suzuki): Tsigoineruwaizen
Thu 10 Jul 20:15 NFT2 ; Sun 13 Jul 15:30 NFT2 An enigmatic four-hander, voted the best Japanese film of the '80s. |
|
|
|